African Me & Satellite TV
A Walk on The Wild Side
I’m all buckled and bent from painting all day. I’m not an artist by any stretch of the imagination – I think pre-school was the last time anyone tried to show me how to draw. I’m determined to give this cover art my best shot though, no matter how doubtful I’m feeling right now. Nothing ventured, nothing gained, as my dear old mother used to say. I’m doing a stand alone painting for African Me, but for Shadow People I had a bit of a brainwave. It could also be my unfortunate desire for instant gratification. Apparently people who desire instant gratification are actually lazy, and lack self-control. So…
Because it will be a series, it occurred to me that I could get more than one cover from one painting, linking one to the other, and creating a sense of continuity. Lovely idea you say? Well. Even though going from stick figures to the Sistine Chapel was obviously not what I was aiming for, it’s really not as easy as I thought it would be. Regardless, bent muscles notwithstanding, I’m still a bit hopeful that this might work in conjunction with the photo shopping thing.
So, right now I’ve got a humungous piece of hardboard with key scenes from the Shadow People series plopped around and about on a background that needs work – to put it mildly. I’m revamping the first book in the series for release at the same time as African Me. Being the secretive soul that I am, I’ll just share the very first really rough pencil doodle of my vision of what the Voxavi look like (just a tiny part of the total painting). Yes I know I haven’t even rubbed out lines that shouldn’t be there, and he does acquire some really cool spikes in the painting, but… As with the poem for African Me, I’m going to save the final for the actual book. My theory being that if you don’t find the doodle rotten and offensive, and curse me forever for offending your delicate eyeballs, you may not hate the final cover pictures. I’m praying here that ridicule and laughter aren’t lurking in my future.
I will say though, that regardless of whether my attempts are toolish or not, I don’t think that I’ve ever had so much fun. Scribbling is my favourite thing to do, but letting loose, and immersing yourself in art and poetry for a while is really an amazing thing to do. I totally recommend leaping wildly from your comfort zone now and then, and doing something you never imagined that you could. What have you got to lose?
Till next time friends. xxx
The Year of Writing Dangerously
Note to self: Don’t put eggs in pocket before bending down to inspect hen’s legs. Just thought I’d add that cautionary note to any friends who are thinking of doing this sort of thing. Bit of a gooey start to the morning. I’ve been a little away with the fairies the last few days. I’ve been spending most of my time trying to find things that I don’t want to lose, and transferring them to my laptop. I have a feeling that my desk dinosaur is dying. It keeps rebooting itself for no apparent reason. Anyway.
I keep on finding plots, outlines, and stories that I started writing, and then forgot about in the mad rush of this last year. This has caused me no end of trouble because now I want to dive in and write more of all of them. I’m also thinking that I’ve just pinpointed a huge problem with myself in general. My inspiration often gets out of hand. I have hundreds of ideas drop into my head all at once, and then I zoom around doing bits of lots of different things instead of concentrating on one. This is not a good thing, and having figured it out about myself now, I’m going to try really hard to change the way I do things. So, all of that is now nicely filed away for me to dig into in the future. I found out something else also.
I have no idea where inspiration comes from. I for one get some pretty weird ideas. When I first started writing, the idea of any other flesh and blood person actually reading my scribbles never occurred to me, so I just wrote what came out. Now I try and see what I write as a reader would, and I think that lately this has nobbled me. Reading my old stories has made me wonder if people really do like to read what just comes sometimes. I do, so why wouldn’t anyone else? I liked them a little more than some of the things I’ve written lately, and so have the people who’ve read them. My new rule will be to go back to where I started, and write according to my muse’s instructions, and not tweak too much, worrying about whether readers will “get me”. I think that some might, and that’s the whole point of my trip anyway.
I never held back at all writing African Me. I’ve got so many hot potatoes in there that all that would be needed for a party is quite a lot of people and piles of butter and some champers. Over the course of the last few months I’ve removed a couple of scenes, thinking them too forthright or graphic. After my epiphany today though, I’ll be taking my chances and putting them back in again. I’ve learned that restricting your muse can lead to stilted, half-baked scribbles. At least in my case I think this is true, and half-baked stories are not what I want to put out there. And now. Back to writing dangerously!
Till next time friends. xxx
Guilty Of Speeding
Still busy sorting all my old blog posts into categories. Seeing the dates on these posts has made me realise how quickly I’ve zoomed along this indie writing road. I opened the WordPress site in March 2012 after joining Facebook in January. Before that the only IT knowledge I had was how to operate my cellphone – sort of.
As far as writing went, I’d only started that the year before when I wrote African Me & Satellite TV, scribbled in notebooks and on bits of paper shoved into an old manila folder. The story had been niggling at me for a while. To begin with I really just wished it would go away. I’d never written anything before. Never yearned to be an author, or ever imagined in my wildest dreams that I would be capable of writing so much as a paragraph of fiction that anyone would actually want to cast their eyeballs over.
It never went away though. It grew and grew, and became my obsession, until finally it was done, sitting in a tatty pile on my desk along with the two books that grew side by side with it. Two of the characters in African Me were so huge to me that they had to have books of their own. And so they did.
Not ever having been on line before, and not even knowing that Kindles existed, I tentatively tried to look for agents. I’ve never approached one though. A friend suggested that I join Facebook and look for writers there. I did, and found one brilliant little group of mainly aspiring authors and one or two stars. There, apart from gaining a couple of amazing friends, I learned about indie publishing. It was only towards the end of last year that I found myself swept away on the indie highway.
Along the learning way I’ve published two short stories, and a sci-fi/fantasy novel on Amazon, obviously expecting to be hugely famous mere hours after pushing the upload button. Shame about that. I’ve found out lots about finishing, formatting, and publishing e-books, as well as creating covers for them, not to mention marketing and SEO. The biggest thing I’ve learned so far is that I have only one toe in the water. As far as indie publishing and marketing knowledge is concerned I still have miles to travel. I’m just really glad to be on the trip.
And that trip was all about getting African Me & Satellite TV published. There were just unexpected twists, trips, and bonuses along the way. I now have the first book in a series out there, with loads more to come. I’m painting away to create images of Lapillus and the characters in Shadow People, so that anyone who reads the books see them a little as I do. I’ve learned that writing and reading short, sharp stories is brilliant. For the first time in my life I’ve written poetry. This was really hard, but a bit of African Me just had to have it, and I’m very happy with how it turned out.
African Me & Satellite TV will be published soon, and I am terrified and excited. My main point of this ramble is that no matter what trip you are on, you never know where it will take you.
To writers more newbie than myself I say – gosh – are there any? Seriously though, from what I’ve learned so far I have a couple of opinions.
• Don’t publish your beloved first. Publish another brilliant, but lesser love first and learn the ropes a little.
• Don’t believe that just because you have “Author” attached to your moniker, thousands will fawn at your feet.
• Learn about marketing on line, and follow through. I’ve been held back in this department by constant (daily – very often weekly) power outages, and the weakest internet signal on the planet, but that has never stopped me from trying.
• Research every thing that you do. Don’t fall for “editor” “publisher” tricks – there are a lot of nasties out there who will con you properly. Check credentials.
• Beware of spending the majority of your waking hours in the wrong areas of cyberspace. Do you really think that posting links to your books on a group of other indie writers will generate sales or get you real readers?
• Do join other indie writers for online events. You will build up a group of indie writer friends over time and this is good. You support each other. Boost each other. You need this. Just be careful who you team up with. Make sure your indie buddies are cool.
• Don’t ask people for fake reviews. If I see a book with hundreds of gushing five star reviews, I’m immediately wary. And if I then read the book, and it’s really bad, I’m not a happy girl at all. I do review for friends, but never if they ask me. If I like what I see, am a fan of the genre they have written in, I buy their book. I never leave bad reviews – ever. If I don’t like a book I leave it at that. There are loads of people willing to leave crap reviews – some that seem incapable of spelling “and”, I’m sorry to say.
• Have patience. What will be, will be.
Till next time friends. xxx
Christopher
Now that I am dead, and I watch these people relive my life, I desire only to describe to them how I feel now, and to tell them that there is no need for their terrible sorrow.
Now that I am spirit, I have no colour or race, no accent, no pain. I feel the bliss that is eternity, and I wish that I could share it with them, these gentle scatterlings brought together by my human death, who now love me as I was never loved in human form.
I stand unseen beneath the Msasa tree, with the joyful souls of Felix the cat, and Cher the dog, whose painful deaths were the catalyst of my own pointless murder, as these people think of it. But no, I want to shout, there is no death. There can never be such a thing. We are all immortal, and these small passings from one place to another are not as terrible in reality, as they are in the eyes of people.
I watch them read my diaries, crying for me, crying for the days of my life, wondering how a small black boy living in those times, those times they call apartheid, how did that child come to be writing a diary.
But even so, my story begins before that day. In spirit I remember all, see all, even the days of other lives, other forms, in other worlds. But these are stories for other days.
© Jo Robinson 2012
The Mighty Jungle
The closer the publication date for African Me & Satellite TV comes, the more nervous I’m getting. The unusual thing about the editing of this particular book is probably that it’s not typos that worry me as much as getting arrested, stalked and pelted with eggs, or generally attracting the interest of secret agencies around and about.
One of the lightest things about it has been my argument with Princess. Intrepid cook, vocal contributor of gems of knowledge on any subject at all, and loud detractor of any sort of animal abuse. My argument really is her obsession with Gordon Ramsay. I’m fond of watching cooking programmes myself, but my tastes run more to Rick Stein, Guy Fieri, Jamie Oliver, and of course Nigella, mainly for her good taste in footwear. I do admit to enjoying watching Gordon abuse restaurateurs and hotel owners – but that’s only because absolute rudeness and terminally foul language make me giggle. I don’t like his endorsement of certain foods obtained in ways that are unbelievably inhumane – inhuman really. But that’s not what my point is today. Princess refuses to give in and let me change her crush to a less controversial chef. So I suppose I have to accept that we can like people in general without agreeing with all of their beliefs. Simple. Gordon stays.
Not so simple are the rest of the people in this story. Their strong views from all angles on racism from both sides of the fence, and the graphic descriptions of actual and possible events will most certainly draw some flack I’m thinking. I just hope that any powers that be who may perchance lay their hands on a copy will read it right through before hoiking out the handcuffs and heading forth into the African wilds to have a little chat with me about – things. That’s the problem with this proofing. When I say that this story wrote itself, I really mean it, and no matter how hard I try to tweak things in it – only looking out for my innocent hide – it just won’t be tweaked. So. I’ll concentrate on the grammar. And of course the poems. These are not going so well I’m afraid to say. Amazon will be pleased at all my “How To Write Poetry” purchases though. These books haven’t helped at all. Once again these things are writing themselves, and they’re more ode-ish than anything else.
On the subject of Amazon. It has a lot of critics. Writers complain of the percentage of their royalties that big A takes, the removal of reviews and tag buttons, and all sorts of other real or perceived affronts. I still say that the opportunity to instantly publish a book, for all the world to read, is something worth paying for. If agents were lining up at your door, waving fat advance cheques and booking you a slot on Oprah, you probably wouldn’t be using Amazon as your first choice to publish I’m thinking. Having said that, pretty much all of the great and famous writers have their books there now. So you’re in pretty good company. Yes, it requires quite a lot of hard work to even get your book to the notice of readers of the millions of books available out there. But that’s a choice you make. You don’t have to. You could try the traditional route, get discovered, and knock J K Rowling right off her perch. Unlikely for all though.
Imagine for a minute that all the self-publishing houses were to disappear. There would be a lot of dusty manuscripts in bottom drawers, never to be read by a soul. So I bravely say – I really do love Amazon. I don’t mind their cut of my royalties. I don’t mind doing the work. And I love the people who have bought and read my writing. You may not be millions, and I may not be rich and famous, but that’s never been what my trip has been about anyway. If one person reads and enjoys any book I write, then I say my job is done. That’s probably the reason for my blog obsession. I love reading blogs, and probably spend far too many hours of my days doing just that. Without expectation of financial gain bloggers, to me, are classic authors. They write to share what they’re passionate about. They don’t care about “show don’t tell” or “dialogue, dialogue, dialogue!!” So – stop whinging author guys, and appreciate the fact that you have the best job in the world, and the opportunity to share your work with a large chunk of the occupants of that world. Do the work, and with a bit of luck, you will reap the rewards.
Gratitude to Amazon for being my publisher, and kudos also for publishing all the old classics, and leaving them permanently free. It’s nice to know that those stories will never be lost. I love the fact that when I’m just a memory, my books will be there in their virtual home, and my worlds will be visited, and my people heard, long after I’ve laid claim to my personal cloud and harp. I do wonder sometimes about those lonely writers who’ve published books, and then depart this mortal coil unnoticed and un-mourned – it does happen I’m afraid to say. Do their books lurk in Amazon’s maze forever? And who gets their royalties?
Thinking About Madiba
My earlier friends will know that the South African struggle for freedom from apartheid has always been a very big deal to me, and inspired Christopher, my hero in African Me & Satellite TV. At the very pinnacle of my list of the greatest people who have ever lived is Nelson Mandela. The news that he is spending his fourth day in hospital with a lung infection came as quite a shock, and totally blocked out all thoughts of writing or editing today. I’m mainly just remembering.
It never occurred to me that he wouldn’t always be around. But he’s ninety four years old, and nobody gets to live forever. Still – right now I can’t shake the sensation of a very large rock in my belly. When I lived in Cape Town, a while after his release from prison, I was late for a meeting, and getting more and more freaked out by the traffic system having gone mad. Cars were heading in the wrong direction, and everything was just jammed up. So I bounced my car up onto the kerb, and belted off in the direction of my appointment – six inch heels notwithstanding. Suddenly I came up against a wall of jostling, shoving people. I was getting later and later, so I shoved harder, until I popped out amongst a line of people standing quietly. Finally I stopped, and actually focused on where I was. I looked left, and there, two people up, he was. Nelson Mandela. Smiling the smile that only he can smile, and gently shaking the hand of an old woman. It was a Mr Bean moment. I must have looked as out of place as a carbuncle on a pretty nose in that line-up, with my high heels, short skirt and make up. Before the burly security guys speedily heading in my direction could reach me, and before I could gather my wits enough to run like hell so as not to get arrested, he was in front of me, holding out his hand. I’ll never forget those beautiful smiling eyes, or the warm comfort of having my hand in his. He moved on, I wasn’t arrested, I missed my appointment, and life went on.
His words and deeds have always inspired me. His dignity, grace and the love that beams palpably from his face inspire people across the globe, and everyone knows his name.
He once said a while back,
“Forgiveness is the most powerful weapon in the world”.
Not many can say that and mean it. I used to prefer the ideals of the military wing that he had also believed in, of the ANC – Umkhonto we Sizwe, or The Spear Of The Nation, and they were right too. It did take violence to win their battle for freedom.
He said, at his Rivonia trial,
“During my lifetime I have dedicated myself to this struggle of the African people. I have fought against white domination, and I have fought against black domination. I have cherished the ideal of a democratic and free society in which all persons live together in harmony and with equal opportunities. It is an ideal which I hope to live for and to achieve. But if needs be, it is an ideal for which I am prepared to die.”
And he has lived to see the start of his dream being fulfilled, and to carry on inspiring people all over with his beautiful soul. Get well Madiba, there are millions sending you their love today.
I’m going to tag on a couple of much earlier posts, “written” by Christopher, my hero in African Me, as a memory of what that battle was about.
CHRISTOPHER
Now that I am dead, and I watch these people relive my life, I desire only to describe to them how I feel now, and to tell them that there is no need for their terrible sorrow.
Now that I am spirit, I have no colour or race, no accent, no pain. I feel the bliss that is eternity, and I wish that I could share it with them, these gentle scatterlings brought together by my human death, who now love me as I was never loved in human form.
I stand unseen beneath the Msasa tree, with the joyful souls of Felix the cat, and Cher the dog, whose painful deaths were the catalyst of my own pointless murder, as these people think of it. But no, I want to shout, there is no death. There can never be such a thing. We are all immortal, and these small passings from one place to another are not as terrible in reality, as they are in the eyes of people.
I watch them read my diaries, crying for me, crying for the days of my life, while wondering how a small black boy living in those times, those times they call apartheid, how did that child come to be writing a diary.
But even so, my story begins before that day. In spirit I remember all, see all, even the days of other lives, other forms, in other worlds, but these are stories for other days.
CHRISTOPHER – The Diarist
Do you wonder how a Zulu boy came to be writing in a diary, while his friends played in the sun, and pushed their wire cars through the dry grass?
In 1953 we lived in Sharpeville. It was new then. My mother worked as a maid in Ventersdorp, and my father worked on the mines in Johannesburg. He was a proud man, but uneducated. The only lie he ever told me, that I knew about, was that he could read. I knew he could not. He blamed poor vision, and always had me read the newspapers he bought out loud.
He came home once a month after payday, smelling of the big city and exciting journeys on Putco buses. My mother and I were eager for these homecomings. He would bring a big parcel of meat with him, some small gift for her, and a packet of hard lemon sweets for me to suck. If I was very careful, I could make this packet last until his next return.
After our feast of meat, my mother would go to sleep, and I would sit at his feet, and listen to the exciting tales of the doings in Johannesburg. The great new music of Snowy Radebe, and stories of miners getting drunk on home-brewed skokiaan and stabbing each other to death in the shebeens of the townships. I loved to listen to my father.
One month he came home with an extra parcel, and a very angry face. He handed me a paper to read for him. I never forgot those words. The words of Hendrick Verwoerd.
“Natives must be taught from an early age that equality with Europeans is not for them”.
At the time those words merely confirmed to me that I was inferior to white people. The few that I had seen till then had been smiling and happy, well dressed, and always driving beautiful shiny cars. I was very impressed as well, by the fact that all white children had shoes. To my twelve year old brain it was very simple, I had seen their superiority with my own eyes. I nodded in agreement.
For the first and only time in my life my father smacked my face. Beatings on the backside were acceptable, but being struck in the face was something else. I looked up at him in shock, and I saw the strange mixture of shame and anger on his face.
“Christopher,” he said softly. “I am sorry.”
We remained silent for a long time, and then he said.
“I cannot change my life. I am too old. Our ancestors were warriors. They must look on me now in shame, as I sweat and slave in the bowels of the earth, for the gold of Africa to make the white man rich. But not you, my son. You will not shame our ancestors.”
He handed me the extra parcel he had brought, and I opened it. I was surprised to see books. They where very old and tattered. Then he pulled another book from his satchel. This one was brand new. It was a very bright pink with a picture of a laughing purple horse on it. I took it from his hand and read the inscription on the cover, “My Diary”.
“You will write in this every day, and show it to me when I come home. You will also learn all that is in these books I have bought for you. Every word. You will tell me what you have learned from these books, and I will know if you lie to me. I have found a shop that sells these old books very cheaply, so I will bring you more to study from.”
My strange education begun on that day, and the beating I received with the sjambok the next month for not filling every page of that pink book, instilled in me the habit of my life to come.
I pulled the books towards me, and examined the titles. The Life and Times of Henry VIII, Mrs Beeton’s Everyday Cookery, A Treatise on White Magic, and Brought To Bed, the memory of which is enough to bring a blush to the cheeks of even a ghost.
And so I learned of all of these things, and because of my father’s inability to read, I learned of many more strange and wonderful things in the years to follow.
CHRISTOPHER – The March That Was Not
They are sitting on the verandah now, my diaries scattered among the remains of their lunch. Princess feeds them too much. They are laughing. Except for Sam. Samson, my son, the son that was taken from me. He is not laughing. He is filled with rage. Even as his hatred for Suzette Hertzog consumes him, he is silent as she reads aloud from my diary, and the hair on their heads touches as they lean over my writing. Hers the colour of the moonlight, and his black as a starless night.
Aah, they are amused about the march that we lost heart for. There was nothing amusing about our struggle for our freedom, our dignity, and the return of that which was taken from us, but sometimes there were moments that stood out, moments where white and black recognised their mutual humanity.
I remember that day so well. We had planned a march in Soweto. It was hot, we were hungry, and we were angry. Then the ratels came, and the saracens, those terrifying death-dealing vehicles. We expected death on that day, of course, our marches seldom ended without such. We did not care. Our eyes were red with the light of battle. We roared, and raised our fists. The noise was powerful.
The young white boys of the army and police cocked their weapons, fear etched into the faces of these children, forced to fight a war which most of them never really understood.
And then a police vehicle drove in fast, and pulled up so suddenly that it slewed sideways, raising a cloud of grey dust from the road. In the small silence that followed, the drivers door was flung open, and we briefly saw the scowling face of a high ranking officer, before it dissapeared completely.
Of course we are a superstitious people, and I am sure that the blood of each man turned to ice at the complete vanishing of this person. We stared as the dust settled, until one of the white policemen begun to laugh hysterically, and there at his feet, chin level with the ground, was the still scowling face of the officer, who in his haste had failed to see the ditch that he had stopped beside.
Our laughter grew loud, and mingled, black and white, which is as it should be.
I watch Suzette wipe the tears that begun with her laughter, and now creep down her face in sadness. I wish I could give her comfort, this daughter, this soul that entwined with mine, at the end of my life.
CHRISTOPHER’S DIARIES – 20 March 1960
Something big always happens on my birthday. Usually something bad. This morning when I went to the bus stop, a guy came up to me. He said he was Pan African Congress. He said that I should not go to work, today was a stayaway. He said we had to fight the pass laws. He said that we had to fight for our liberation, and for the freedom of our leaders in jail. We had to stop the aggression against the sons and daughters of Africa, that had begun with the theft of our country three hundred years ago. He said that we should not be called kaffirs and be spat upon as we stood on the soil of our own land. The ANC was too soft, he shouted, we must heed the words of Robert Sobukwe. All men were to leave their passes at home and go to prison.
I had no wish to fight. I never have, so I walked back to the centre of town, where I found Terry. He was excited.
He said, “It’s time man, it’s time!”
People were chanting “Izwe Lethu – Our Land”. We ended up at the back of a large crowd, and followed them towards the police station.
Jets flew overhead. Everyone cheered and waved their hats. It was exhilerating, until a terrible thing happened. The fence around the police station was pushed over. It was not intentional, but people at the back of the crowd were pushing so that they could see what was happening.
The police begun to shoot. I turned and ran. Terry ran too. I ran as fast as I could. I looked back over my shoulder, and I saw people falling. They were being shot in their backs as they ran away. I saw the sparks from the muzzle of the sten gun on the saracen as it swung around, firing everywhere.
I ran into a house, threw myself to the floor, and covered my head with my hands. I have never been so afraid. When I realised that the shooting had stopped, I got up. I was shaking so much that I could not walk properly. I went outside.
Bodies lay all around. Men, women, children. People were crying. Most of the bodies were quite still, blood was everywhere. I went home. Terry was standing at my gate.
We sat on the couch for hours, listening to the wailing outside. We heard sirens come and go, and then there was silence.
I heard that sixty nine people were killed, many of them children, most of them shot in their backs as they ran.
Apparently some were armed. They had small stones in their hands.
I turned nineteen today.
Christopher – The Diarist
Do you wonder how a Zulu boy came to be writing in a diary, while his friends played in the sun, and pushed their wire cars through the dry grass?
In 1953 we lived in Sharpeville. It was new then. My mother worked as a maid in Ventersdorp, and my father worked on the mines in Johannesburg. He was a proud man, but uneducated. The only lie he ever told me, that I knew about, was that he could read. I knew he could not. He blamed poor vision, and always had me read the newspapers he bought out loud.
He came home once a month after payday, smelling of the big city and exciting journeys on Putco buses. My mother and I were eager for these homecomings. He would bring a big parcel of meat with him, some small gift for her, and a packet of hard lemon sweets for me to suck. If I was very careful, I could make this packet last until his next return.
After our feast of meat, my mother would go to sleep, and I would sit at his feet, and listen to the exciting tales of the doings in Johannesburg. The great new music of Snowy Radebe, and stories of miners getting drunk on home-brewed skokiaan and stabbing each other to death in the shebeens of the townships. I loved to listen to my father.
One month he came home with an extra parcel, and a very angry face. He handed me a paper to read for him. I never forgot those words. The words of Hendrick Verwoerd.
“Natives must be taught from an early age that equality with Europeans is not for them”.
At the time those words merely confirmed to me that I was inferior to white people. The few that I had seen till then had been smiling and happy, well dressed, and always driving beautiful shiny cars. I was very impressed as well, by the fact that all white children had shoes. To my twelve year old brain it was very simple, I had seen their superiority with my own eyes. I nodded in agreement.
For the first and only time in my life my father smacked my face. Beatings on the backside were acceptable, but being struck in the face was something else. I looked up at him in shock, and I saw the strange mixture of shame and anger on his face.
“Christopher,” he said softly. “I am sorry.”
We remained silent for a long time, and then he said.
“I cannot change my life. I am too old. Our ancestors were warriors. They must look on me now in shame, as I sweat and slave in the bowels of the earth, for the gold of Africa to make the white man rich. But not you, my son. You will not shame our ancestors.”
He handed me the extra parcel he had brought, and I opened it. I was surprised to see books. They where very old and tattered. Then he pulled another book from his satchel. This one was brand new. It was a very bright pink with a picture of a laughing purple horse on it. I took it from his hand and read the inscription on the cover, “My Diary”.
“You will write in this every day, and show it to me when I come home. You will also learn all that is in these books I have bought for you. Every word. You will tell me what you have learned from these books, and I will know if you lie to me. I have found a shop that sells these old books very cheaply, so I will bring you more to study from.”
My strange education begun on that day, and the beating I received with the sjambok the next month for not filling every page of that pink book, instilled in me the habit of my life to come.
I pulled the books towards me, and examined the titles. The Life and Times of Henry VIII, Mrs Beeton’s Everyday Cookery, A Treatise on White Magic, and Brought To Bed, the memory of which is enough to bring a blush to the cheeks of even a ghost.
And so I learned of all of these things, and because of my father’s inability to read, I learned of many more strange and wonderful things in the years to follow.
© Jo Robinson 2012
Christopher – The March That Was Not
They are sitting on the verandah now, my diaries scattered around the remains of their lunch. Princess feeds them too much. They are laughing. Except for Sam. Samson, my son, the son that was taken from me. He is not laughing. He is filled with rage. Even as his hatred for Suzette Hertzog consumes him, he is silent as she reads aloud from my diary, and the hair on their heads touches as they lean over my writing. Hers the colour of the moonlight, and his black as a starless night.
Aah, they are amused about the march that we lost heart for. There was nothing amusing about our struggle for our freedom, our dignity, and the return of that which was taken from us, but sometimes there were moments that stood out, moments where white and black recognised their mutual humanity.
I remember that day so well. We had planned a march in Soweto. It was hot, we were hungry, and we were angry. Then the ratels came, and the saracens, those terrifying death-dealing vehicles. We expected death on that day, of course, our marches seldom ended without such. We did not care. Our eyes were red with the light of battle. We roared, and raised our fists. The noise was powerful.
The young white boys of the army and police cocked their weapons, fear etched into the faces of these children, forced to fight a war which most of them never really understood.
And then a police vehicle drove in fast, and pulled up so suddenly that it slewed sideways, raising a cloud of grey dust from the road. In the small silence that followed, the drivers door was flung open, and we briefly saw the scowling face of a high ranking officer, before it dissapeared completely.
Of course we are a superstitious people, and I am sure that the blood of each man turned to ice at the complete vanishing of this person. We stared as the dust settled, until one of the white policemen begun to laugh hysterically, and there at his feet, chin level with the ground, was the still scowling face of the officer, who in his haste had failed to see the ditch that he had stopped beside.
Our laughter grew loud, and mingled, black and white, which is as it should be.
I watch Suzette wipe the tears that begun with her laughter, and now creep down her face in sadness. I wish I could give her comfort, this daughter, this soul that entwined with mine, at the end of my life.
© Jo Robinson 2012
Princess
Madam said to me, “When you write your cookbook Princess, maybe it would be better if you don’t call it Africolonial Cuisine.”
She does not like that word. Colonial. She is much ashamed of what her ancestors did to us, here in Africa. Of course, I understand her shame, I have met her parents after all.
My book is not of those things, those times of great suffering, or indeed of the sufferings of today. It is of cooking. My cooking. My Africolonial Cooking. That is what it is after all, and I will not be as the ostrich, and hide my face beneath the soft sand, believing that if you cannot see it, it is not so.
I must look now, and see, which dish we shall serve first.
© Jo Robinson 2012
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